| # | uttid | text | reference_demucs | additional_reference_demucs |
yt4_baseline_lats__dsat_pack_1
basket_config_path: /home/polovick/v2v_diff/ml/projects/ai-voice-cloning/projects-bucket-pack.json
data_meta: null
exp_name: yt4_baseline_lats
lang: en
meta:
basket_generation_config:
basket_lang: en
basket_path: /home/polovick/v2v_diff/ml/projects/ai-voice-cloning/projects-bucket-pack.json
batch_size: 1
gpus: 2
inference:
diff_steps: 400
exp: yt4_baseline_lats/
gpt_generate_args:
do_sample: true
num_return_sequences: 50
override_conditioning_features:
c50: 0.0
pitch_std: 100.0
snr: 100.0
reranking_options:
mode: MBR
top_k: 1
target_len_rate: 0.75
vocoder: univnet
num_workers: 1
output_dir: projects_pack_1/yt4_baseline_lats__2024-06-27_12-43-45
ticket: TTS-388
basket_generation_git_hash: 3ad347e2f731481af82dafbe72aa4daa136f907b
model_data_type: tts-cloning
ticket: TTS-388
version: 2024-06-27_12-43-45
|
yt4_baseline_lats-dsat-isolate
basket_config_path: /home/polovick/v2v_diff/ml/projects/ai-voice-cloning/projects-bucket-pack-isolated.json
data_meta: null
exp_name: yt4_baseline_lats
lang: en
meta:
basket_generation_config:
basket_lang: en
basket_path: /home/polovick/v2v_diff/ml/projects/ai-voice-cloning/projects-bucket-pack-isolated.json
batch_size: 1
gpus: 2
inference:
diff_steps: 400
exp: yt4_baseline_lats/
gpt_generate_args:
do_sample: true
num_return_sequences: 50
override_conditioning_features:
c50: 0.0
pitch_std: 100.0
snr: 100.0
reranking_options:
mode: MBR
top_k: 1
target_len_rate: 0.75
vocoder: univnet
num_workers: 1
output_dir: projects_pack_1_isolated_w_11l/yt4_baseline_lats__2024-07-16_13-10-39
ticket: TTS-388
basket_generation_git_hash: db2c333285062a0b889527a7d3cb9323eac8767b
model_data_type: tts-cloning
ticket: TTS-388
version: 2024-07-16_13-10-39
|
reference_isolation | additional_reference_isolation |
|---|---|---|---|---|---|---|---|---|
|
0
|
F0/bardot_fr_F0_0000
|
Here!
|
||||||
|
1
|
F0/bardot_fr_F0_0001
|
Here's the new version of Babette.
|
||||||
|
2
|
F0/bardot_fr_F0_0002
|
Oury has changed everything, it's night and day!
|
||||||
|
3
|
F1/bardot_fr_F1_0003
|
Isn't he an actor?
|
||||||
|
4
|
F0/bardot_fr_F0_0004
|
Now he writes, he's very talented.
|
||||||
|
5
|
F0/bardot_fr_F0_0005
|
You read fast, don't you, please?
|
||||||
|
6
|
F1/bardot_fr_F1_0006
|
That's a cute one.
|
||||||
|
7
|
F1/bardot_fr_F1_0007
|
Ah, it's Charrier...
|
||||||
|
8
|
F0/bardot_fr_F0_0008
|
He's the up-and-coming actor.
|
||||||
|
9
|
F0/bardot_fr_F0_0009
|
Didn't you see Carné's Les Tricheurs?
|
||||||
|
10
|
F1/bardot_fr_F1_0010
|
Not yet.
|
||||||
|
11
|
F0/bardot_fr_F0_0011
|
This one is very interesting...
|
||||||
|
12
|
F1/bardot_fr_F1_0012
|
A mouthful... Beautiful mouth.
|
||||||
|
13
|
F1/bardot_fr_F1_0013
|
We'll have to see.
|
||||||
|
14
|
F0/bardot_fr_F0_0014
|
He is currently filming with a young man, the same band...
|
||||||
|
15
|
F1/bardot_fr_F1_0015
|
Who?
|
||||||
|
16
|
F0/bardot_fr_F0_0016
|
Jean Luc quelque chose, a first film.
|
||||||
|
17
|
F1/bardot_fr_F1_0017
|
Why do you make me meet only old directors?
|
||||||
|
18
|
F1/bardot_fr_F1_0018
|
I am 24 years old.
|
||||||
|
19
|
F1/bardot_fr_F1_0019
|
Am I already too old for young people?
|
||||||
|
20
|
F0/bardot_fr_F0_0020
|
Everyone wants to meet you!
|
||||||
|
21
|
F1/bardot_fr_F1_0021
|
Yes, well, meeting me, looking at me like I'm a freak.
|
||||||
|
22
|
F1/bardot_fr_F1_0022
|
"The new wave."
|
||||||
|
23
|
F1/bardot_fr_F1_0023
|
Am I already at the Musée Grévin for them?
|
||||||
|
24
|
F0/bardot_fr_F0_0024
|
Waves come and go.
|
||||||
|
25
|
F0/bardot_fr_F0_0025
|
Look, Carné.
|
||||||
|
26
|
F0/bardot_fr_F0_0026
|
He's almost 60 and his film about young people is a triumph.
|
||||||
|
27
|
F1/bardot_fr_F1_0027
|
What's his actor's name again?
|
||||||
|
28
|
F0/bardot_fr_F0_0028
|
Jacques Charrier.
|
||||||
|
29
|
F0/bardot_fr_F0_0029
|
Let me know what you think...
|
||||||
|
30
|
M0/bardot_fr_M0_0030
|
A war film, and a comedy.
|
||||||
|
31
|
M0/bardot_fr_M0_0031
|
It's not done very often, is it?
|
||||||
|
32
|
M0/bardot_fr_M0_0032
|
And it will be Bardot's first film for the general public.
|
||||||
|
33
|
M0/bardot_fr_M0_0033
|
Children are important!
|
||||||
|
34
|
M0/bardot_fr_M0_0034
|
In fact, my Marco Polo will also be for children.
|
||||||
|
35
|
M1/bardot_fr_M1_0035
|
On television the other day, you said that Brigitte Bardot was now more famous than the Mona Lisa.
|
||||||
|
36
|
M0/bardot_fr_M0_0036
|
I'm not going to believe everything I've invented about this girl!
|
||||||
|
37
|
M0/bardot_fr_M0_0037
|
You know, my little Jean?
|
||||||
|
38
|
M0/bardot_fr_M0_0038
|
Television scares me.
|
||||||
|
39
|
M0/bardot_fr_M0_0039
|
Television is going to kill cinema.
|
||||||
|
40
|
M0/bardot_fr_M0_0040
|
You'll see bullfighting the day there are five TV channels and viewers can turn a knob and choose!
|
||||||
|
41
|
M0/bardot_fr_M0_0041
|
Did I tell you that I bought the rights to Zazie dans le métro from Gallimard?
|
||||||
|
42
|
M0/bardot_fr_M0_0042
|
Queneau asked me for a fortune!
|
||||||
|
43
|
M1/bardot_fr_M1_0043
|
Is money important to you?
|
||||||
|
44
|
M0/bardot_fr_M0_0044
|
I hate two things: being asked and being refused.
|
||||||
|
45
|
M0/bardot_fr_M0_0045
|
Ciao ragazzo!
|
||||||
|
46
|
M5/bardot_fr_M5_0046
|
Ciao, Raoul.
|
||||||
|
47
|
M0/bardot_fr_M0_0047
|
Dino, this is Jean Cau.
|
||||||
|
48
|
M0/bardot_fr_M0_0048
|
He investigates the art of swindling.
|
||||||
|
49
|
M0/bardot_fr_M0_0049
|
Within the bounds of legality!
|
||||||
|
50
|
M1/bardot_fr_M1_0050
|
This afternoon I sent for the photographer.
|
||||||
|
51
|
M0/bardot_fr_M0_0051
|
This afternoon I'm going to the dentist, it's the only place where I can rest...
|
||||||
|
52
|
M3/bardot_fr_M3_0052
|
Hello Mr Levy, it's rolling...
|
||||||
|
53
|
M0/bardot_fr_M0_0053
|
Hello !
|
||||||
|
54
|
M2/bardot_fr_M2_0054
|
Why are you so nice?
|
||||||
|
55
|
F1/bardot_fr_F1_0055
|
Because nobody's ever been this nice to me...
|
||||||
|
56
|
M2/bardot_fr_M2_0056
|
Not even the boys?
|
||||||
|
57
|
M4/bardot_fr_M4_0057
|
Cut!
|
||||||
|
58
|
M3/bardot_fr_M3_0058
|
That's it, thank you!
|
||||||
|
59
|
M0/bardot_fr_M0_0059
|
This is Jan Cau, Sartre's secretary.
|
||||||
|
60
|
M0/bardot_fr_M0_0060
|
L'Express, a four-page portrait.
|
||||||
|
61
|
M0/bardot_fr_M0_0061
|
Six?
|
||||||
|
62
|
M1/bardot_fr_M1_0062
|
Hello.
|
||||||
|
63
|
F1/bardot_fr_F1_0063
|
Hello.
|
||||||
|
64
|
M1/bardot_fr_M1_0064
|
Could I ask you a few questions?
|
||||||
|
65
|
F1/bardot_fr_F1_0065
|
Raoul, I could talk about this for hours.
|
||||||
|
66
|
F1/bardot_fr_F1_0066
|
He changed my life...
|
||||||
|
67
|
M0/bardot_fr_M0_0067
|
She'll blame me one day.
|
||||||
|
68
|
F1/bardot_fr_F1_0068
|
But it's a reproach!
|
||||||
|
69
|
F1/bardot_fr_F1_0069
|
Raoul thinks he owns me, doesn't he, Raoul?
|
||||||
|
70
|
M0/bardot_fr_M0_0070
|
Absolutely!
|
||||||
|
71
|
F1/bardot_fr_F1_0071
|
In any case, this film is a joy!
|
||||||
|
72
|
F1/bardot_fr_F1_0072
|
Everything is light, joyful, I have a delicious partner...
|
||||||
|
73
|
F1/bardot_fr_F1_0073
|
Jacques! Come...
|
||||||
|
74
|
M1/bardot_fr_M1_0074
|
Hello.
|
||||||
|
75
|
M2/bardot_fr_M2_0075
|
Hello.
|
||||||
|
76
|
F1/bardot_fr_F1_0076
|
Had you seen Les Tricheurs?
|
||||||
|
77
|
M1/bardot_fr_M1_0077
|
Of course...
|
||||||
|
78
|
F1/bardot_fr_F1_0078
|
He plays a lieutenant... his father is a colonel, which is why he's a bit uptight.
|
||||||
|
79
|
M2/bardot_fr_M2_0079
|
And what's more, I've just arrived from my home province...
|
||||||
|
80
|
M3/bardot_fr_M3_0080
|
Mademoiselle Bardot, we're ready for what's next.
|
||||||
|
81
|
M1/bardot_fr_M1_0081
|
Thank you.
|
||||||
|
82
|
F1/bardot_fr_F1_0082
|
Don't be shy like that.
|
||||||
|
83
|
F1/bardot_fr_F1_0083
|
Journalists are important.
|
||||||
|
84
|
M2/bardot_fr_M2_0084
|
I'm not naive.
|
||||||
|
85
|
M2/bardot_fr_M2_0085
|
I'm not shy.
|
||||||
|
86
|
M2/bardot_fr_M2_0086
|
And I know what I want.
|
||||||
|
87
|
M0/bardot_fr_M0_0087
|
She'll eat him alive.
|
||||||
|
88
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0000
|
Maria, Maria. Okay, when you're done, can you get on this wadding?
|
||||||
|
89
|
F1/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F1_0001
|
Yes.
|
||||||
|
90
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0002
|
Thank you.
|
||||||
|
91
|
F2/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F2_0003
|
Hello!
|
||||||
|
92
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0004
|
Hello?
|
||||||
|
93
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0005
|
What do you want?
|
||||||
|
94
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0006
|
Well, we came here because you said the townhouse was open to everyone....
|
||||||
|
95
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0007
|
Well, all workers.
|
||||||
|
96
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0008
|
She is not.
|
||||||
|
97
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0009
|
I can help if you need anything.
|
||||||
|
98
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0010
|
Help with what?
|
||||||
|
99
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0011
|
I don't know.
|
||||||
|
100
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0012
|
I can teach.
|
||||||
|
101
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0013
|
Of what?
|
||||||
|
102
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0014
|
French, for example.
|
||||||
|
103
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0015
|
De fran...
|
||||||
|
104
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0016
|
Ouch!
|
||||||
|
105
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0017
|
But here they don't even know how to read Spanish.
|
||||||
|
106
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0018
|
Well, I can teach them.
|
||||||
|
107
|
F2/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F2_0019
|
Yes, he has studied to be a teacher.
|
||||||
|
108
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0020
|
Already.
|
||||||
|
109
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0021
|
Come!
|
||||||
|
110
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0022
|
Good morning.
|
||||||
|
111
|
F4/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F4_0023
|
Good morning.
|
||||||
|
112
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0024
|
Girls, there is going to be a small change.
|
||||||
|
113
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0025
|
Amparo leaves with other students and you stay with the new teacher.
|
||||||
|
114
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0026
|
Be good.
|
||||||
|
115
|
F3/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F3_0027
|
But it is not necessary that...
|
||||||
|
116
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0028
|
We're leaving, girls! Your students.
|
||||||
|
117
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0029
|
Hello.
|
||||||
|
118
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0030
|
Well, I'm Amelia.
|
||||||
|
119
|
F4/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F4_0031
|
Where are you from?
|
||||||
|
120
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0032
|
From... Madrid
|
||||||
|
121
|
F5/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F5_0033
|
Madrid is very large.
|
||||||
|
122
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0034
|
What neighborhood am I from?
|
||||||
|
123
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0035
|
Well, I grew up in the Marqués de Salamanca neighborhood.
|
||||||
|
124
|
F4/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F4_0036
|
I told you.
|
||||||
|
125
|
F6/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F6_0037
|
My name is Adela.
|
||||||
|
126
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0038
|
Hello Adela, how are you?
|
||||||
|
127
|
F6/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F6_0039
|
Hello.
|
||||||
|
128
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0040
|
Pleased to meet you.
|
||||||
|
129
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0041
|
Well, you were working on the accented words, weren't you? The acute ones... There are the acute ones, there are the flat ones...
|
||||||
|
130
|
F4/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F4_0042
|
Hey!
|
||||||
|
131
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0043
|
Tell me.
|
||||||
|
132
|
F4/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F4_0044
|
And why doesn't Amparo continue?
|
||||||
|
133
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0045
|
Because... there's been a little change and... and this morning I'm going to stay.
|
||||||
|
134
|
F5/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F5_0046
|
But are you a teacher or what?
|
||||||
|
135
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0047
|
Yes, I am a teacher, I studied teaching.
|
||||||
|
136
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0048
|
May I have a moment, please?
|
||||||
|
137
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0049
|
The acute words, the... Please, just a moment... Just a moment... I understand... I understand that you prefer the other teacher because you don't know me at all...
|
||||||
|
138
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0050
|
I have just arrived.
|
||||||
|
139
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0051
|
But maybe I can show you something.
|
||||||
|
140
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0052
|
And I'm sure you can teach me something.
|
||||||
|
141
|
F5/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F5_0053
|
A lot.
|
||||||
|
142
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0054
|
I'm sure it is, I'm sure it is a lot.
|
||||||
|
143
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0055
|
But what I think is that... we have to do it together.
|
||||||
|
144
|
F7/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F7_0056
|
Us and those in the Salamanca neighborhood.
|
||||||
|
145
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0057
|
Well, be that as it may, I think the most important thing is that we respect each other.
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146
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0058
|
Because if we do not respect ourselves, how can we pretend to be respectable to others?
|
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|
147
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0059
|
I really feel that this way... we can all be much stronger.
|
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|
148
|
F0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_F0_0060
|
And... alas...
|
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|
149
|
M0/ORIGINALSPAVERSION-93a5cd-VoiceActing_es_M0_0061
|
Amelia! Come!
|